Finishing Touches - Eldar Sun Blitz Phoenix

Its been a busy few days, what with having two kids to wrangle and all, but I've nearly finished the paint job on my Phoenix.

Basic colours

Having finished the main body, hihlighted the edges with Bubonic Brown and a tiny edge of Sunburst Yellow, I did a pretty basic job on the pilots and glued on the canopy. Most of the gems are blue as a contrast to the flaming yellow of the fuselage, with just a couple of orange ones for variety.

With added highlights

Something was missing though. My Nightwing fighter has a nice Sun Blitz crescent (not a spiral, as I had previously erroneously described it) but it was not so easy to get this painted onto the bomber.

I tried the liquid mask method I used on the fighter, but it just didn't look as cool as I wanted it to when I pulled off the frisk. Actually it looked awful. So bad I had to respray the whole thing :(

The problem is the shape of the plane. It doesn't have a lot of large flat areas for painting such details on. It has a tiny strip of wing on each side, connected to the jet sections by a very thin strip, then the dorsal surface is, well cluttered and there are the two fins to get in the way too. I just couldn't see a way to paint on the crescent, or even crescents, without it just looking like a weird red stripe.

So, a couple of nights to think it over were necessary.

I had my eureka moment this morning. I had thought I was going to go with a sort of sunrayish motif, using the two panel/instrument pods as the centres. Their location was still a little problematic though and I couldn't figure out how to do it, using a freehand brush, and get the lines to look straight over a curved surface. I was dreading putting the brush down to find I had just painted, again, some weird stripes.


But then it hit me - the Phoenix! It is, of course, a legendary bird of flame, not just a pretty word the Eldar (the Imperium?) used to denote this flying beast. So, perhaps I could freehand a flame motif on the wing.

A quick bit of research (google) gave me this image:

I also found some other, less savoury pictures

I then practiced drawing those organic, naturally curving and authentic flames/feathers in a notebook (another good tip for freehand painting - practice it with a pencil first) before committing paint to model.

Too much?

 I used thinned Mechrite Red, followed up by a thin layer of Blood Red. Then I went too far, trying to add realistic flame effects, with lines of Gold Yellow, Blazing Orange, and Sunburst Yellow. In the flesh, as it were, the flames looked ok. Only ok. Part of the problem was I'm not very good, that is, haven't practised, at drawing flames. The other part was the yellows and orange were too close to the plane's base colour, giving a sort of diluted effect to what is supposed to be a strong contrast colour.

Not a complete disaster though as I was able to paint back over the flames with Mechrite and Blood Reds. I then added a thin highlight or Blazing Orange and thin shade line of Dark Flesh to each flame. It looks pretty good, albeit not as smooth a finish as it should be. 

I will probably add some more layers of Purity Seal on top and may even polish this, so I don't think the unevenness of the paint will be too apparent in the end. I will also do some better quality shots too as the paint job is, in places, better than these pictures show.

Eldar Phoenix Bomber Paint Job - Now with Greyscale!

Finished greenstuffing all the gaps and holes in the bomber this morning. One of the tips I picked up at the GW open day was using the back of a knife to smooth down GS surfaces once they've dried for at least a day. Using this, I've done a passable job on all the surfaces and its time to paint.

I decided to use a greyscale base on the plane, so as to help with shading and highlighting later on. The idea of pre-shading and -highlighting is to apply a multi-tonal base. When you spray thin coats of other colours on top of this, the difference between the dark and light areas shows through.

First then, I sprayed the whole thing black.

Nothing special here, just some black primer.

Then I carefully sprayed a layer of Codex Grey. I took care to avoid the base of the slopes, and where pieces were joined together.

Then a layer of Fortress Grey. This was lighter than the previous one and I took care to put more on the edges of the wings and fuselage and raised areas, such as over the jet intakes.

Now its time for some colour. First a layer of Mechrite Red. This goes on fairly evenly - I'm counting on the greyscale to add depth and definition.

And (almost finally) some Blood Red. As with the greys, I emphasised the edges of surfaces and raised areas.

Thats it for the base colours. Now I need to use some liquid mask to mark out the spirals and probably to protect some of the gems and other details too. This is because this red recipe is really strongly pigmented and painting over it can be a right job to do. For example, painting the gold bits on my Blood Angels sometimes requires a layer of flat brown before the gold paints as the red just shines through otherwise. I want to do some blue gems and the detailing will likely be in gold too, so there's some work to do this evening...

Nightwing Reworked

Yesterday I put up a piece about my Eldar Nightwing conversion, focusing largely on the painting. I did some more work on it after publishing and then a little bit more this morning. Sadly, in the cold light of day, I could see there were more mistakes and problems with the paint job than good bits. So, with more than a little pain in my heart and some trepidation, I resprayed the whole thing.

The problems with the first attempt at the paint job were mostly centred on the spiral motifs. Basically I couldn't see how to make them look properly painted on. I couldn't figure out how to shade or highlight them realistically. I tried using a Baal Red wash and just made it all worse. Eventually I figured I would go back to my original plan or spraying the whole thing red, masking off the spirals, then spraying again with the Golden Yellow.

To be honest, this didn't really solve the problem. The liquid mask gives really really crisp lines, and I think that sometimes the contrast between the two colours I was using were just too stark. I still needed to solve that. BUT, my second attempt at the Golden Yellow layer was so much better than the first.

Part of this has to do with the practice factor. I'm fairly new to airbrushing and only have a basic brush. Its not really precise enough for infantry models or any real detail work so I have mostly used it only to coat a few entire models. It feels like I'm getting the hang of it now though. It feels much easier to wash and clean the thing between colours now and I have a better idea of what consistency to mix different paints too (Citadel Foundation paints needing much more thinner than layers, for example). Doing the same colours almost straight after the first attempt then was pretty straightforward and I was able to apply them much more precisely.

The other positive for redoing the same paint was I effectively had a pre-shade and pre-highlight layer on the model. That is to say, I had done a fairly poor job of shading the first time round and a reasonable enough job of edge highlighting the panels, and these paints, due to the thin nature of spray paints, are somewhat visible through the top layers. Seeing how easy this actually is to do has given me a lot of confidence to pre-shade and -highlight the next big model I paint.

I have also Forrest Gumped my way to making the spirals look just about presentable too. I need to figure out what other details I need to paint on now, before adding some decals and getting to work on the weapons and engines. Here's where we're at now though:

Bright enough for you?

Weapons will be a light brown, engines a brassy colour

Eldar Nightwing Conversion/Liquid Mask/Sun Blitz Botherhood

Every time I try to get out - they pull me back in...

One of the combinations of armies I want to try in 6th Edition 40k is Codex Eldar and Eldar Corsairs. The Corsairs army list is given in Imperial Armour Volume 11: Doom of Mymeara. It is a fast attack list. Apart from some compulsory cannon-fodder infantry, the list features lots of fast movers, from jetpack walkers and jetbikes, to fighter and bomber aircraft. Since reading the book I've had a yearning to field an army with flyers in it and, as 6th Edition features these vehicles, now's the time.

The downside of this list though is the cash cost. Both the Nightwing fighter and Phoenix bomber are Forgeworld models and quite pricey. When trying to decide if I really wanted to commit more than £100 on two models it suddenly hit me that the Edar Razorwing is very similar to the Nightwing, in shape at least. A minimal amount of kitbashing later, and we have this:

Its not a perfect match, but its good enough. The Nightwing doesn't have the central dorsal fin and does have moving wings. But my model cost half as much as Forge World's, so I'll keep the £30 and use mine, thanks very much.

It is simple enough to switch the Dark Eldar Lance's out for some surplus Eldar ones from the bits box. They require a bit more effort to secure, not having the nice little square peg the supplied parts do. The forward Shuriken Cannons are also quite simple to make from chopped down tank weapons and a couple of other spare parts.

For the paint scheme I have decided to go with the Sun Blitz Brotherhood, also found in the IA11 book.

I based the model with a black primer. On top of this I sprayed a Mechrite Red base coat, then a layer of Blood Red, and then a couple of coats of Vallejo's Game Colour Gold Yellow. I have blended up some of the more raised areas with a mix of Gold Yellow and Iyanden Darksun and edge highlighted the panels with Sunburst Yellow. Sadly, most of these paints are no longer available, but Vallejo probably do passable equivalents of the GW colours or you could just use Air colours.

The next step is to add the red spirals that marks this vehicle out as a Sun Blitz flyer.

When planning this I saw two ways to do it. Either, having sprayed the thing with the reds, mask off the spiral shapes before spraying on the yellows, or spray all the colours, mark out the spirals and then respray the reds. I went with the latter for two reasons: my airbrush is not that great (nor is my technique) and it was late at night when I started painting so there was no way to get hold of some liquid mask.

Here is how the model looks with the Liquid Mask (also by Vallejo) painted on:

I have never used the mask before so here's a couple of things I have learnt:

• It looks like a fairly watery paint on the palette
• It can be painted on to a model pretty much like a paint, having a consistency similar to thinned PVA glue.
• It dries more quickly than a paint. Beware of using your good brushes for application - it will form a gum between the bristles really quickly, so use an older brush you don't mind writing off if you can't get all the mask off.
• It takes longer to dry on the model than an acrylic paint. I'm not sure how long you're supposed to leave it until painting over, but its been on my model for about twenty minutes now and still feels a little tacky in places. That said, I've seen videos where people sprayed over it almost immediately so I'm going to go ahead and spray it now.

Thats all there is for now. When I have sprayed on the spirals I'll take some more pictures and write about removing the mask.